The thirty-seven works made between 2003 and 2006 brought
together for Extreme Makeover each used
collaged material subtracted, for the most part, from glossy
magazines such as Vogue and Paris Match, and
augmented by further rounds of images, marks, and text laid down
with Indian ink.
The exhibition charts Boshier's return to a single technique of
photographic modificiation with which he experimented in the later 1960s.