Regardless of his sitter—whether family member or influential celebrity—Nadav Kander’s portraiture shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness—to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden.
“Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter…”
The Meeting is dedicated to Kander's portraiture, showing the range and nuance of his work.
With his minimal and intuitive approach, Kander shows his interest in universal experience, which transcends the specificity of public persona or status. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders—from Barack Obama, John le Carré, Alexander McQueen, to Tracey Emin, Robert Plant and Prince Charles—are layered and penetrating, revealing unexpected moments of reverie and vulnerability.