London-based artist Carol Robertson (b 1955) has a practice firmly rooted within reductive abstract conventions, with geometry, particularly the circle, providing the freedom to channel sensory or poetic material within its refined parameters. The circle, as the most archetypal of forms, holds a universal resonance, frequently appearing in art, architecture, and ritual.
Carol Robertson is represented in public collections including the National Museum & Gallery, Cardiff and Royal West of England Academy, Bristol.