Royal College of Art graduate Jing Su (b. 1990) produces paintings that explore the politics of the female body and the complexities of autonomy.
'Chimera' traces a moment of quiet transition. The surface unfolds through layered tones of violet and rose, holding a sense of breath and stillness. Fine lines move in and out of focus, marking a slow rhythm between distance and closeness. The painting reflects on how form can remain uncertain, shifting yet contained, present yet on the edge of disappearance. It suggests a space where seeing becomes feeling, and what is held begins to drift.