Biography
I situate my work at the intersection of science and
aesthetics: a hybrid space where technological concerns meet the
seductiveness of natural imagery. Upholding this ethics of
hybridity and permissiveness, I try not to limit my materials,
allowing myself to weave technology into images of nature or to
source organic matter directly. By giving myself this license to
commingle and mix, I hope to produce soundscapes without fixed
horizons or circumscribed borders. My work is always tangential,
never linear or straightforwardly progressive. By adopting this
oblique standpoint I attempt to seek access to the irregular
interchanges between nature and culture; a moveable border which
continues to provide a springboard for my thought and a point of
departure for my practice."
I see the body of work as an aggregate anatomy, comprised of
multiple parts. Whilst the parts are distinct, they are also to an
extent interdependent, existing in symbiosis with each other and
the viewer who, in stopping to look, enters this sensory network.
The parts of this body reflect the cornerstones of my artistic
investigations - light, sound, movement, flight - the elemental
components of a fascination with ascent into territories
unknown.
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