Artists

Work

St. Georges Horse, 2007
  • St. Georges Horse, 2007St. Georges Horse, 2007
    Graphited Fibreglass
    260 x 340 x 140 cm
  • Woman fo Heidelberg -(Heidelberg Dame), 1987Woman fo Heidelberg -(Heidelberg Dame), 1987
    Bronze
    Height 244 cm
  • Caput Mortuum - A Commentary, 1983Caput Mortuum - A Commentary, 1983
    Bronze
    60 x 300 cm
  • Shrouded figure, 1981Shrouded figure, 1981
    Bronze
    14 x 64 x 34 cm
    Edition 8
  • Memorial with Tyres, 1983Memorial with Tyres, 1983
    Bronze
    19.5 x 57 x 33 cm
    Edition 8
  • Imperatrix Impudens, 1982Imperatrix Impudens, 1982
    Bronze with gold inlay
    23.5 x 52 x 3 cm
  • Der Minister fuer Propaganda, 1981Der Minister fuer Propaganda, 1981
    Bronze
    35 x 40 125 cm
  • Iraq -the Sound of Your Silence, 2009Iraq -the Sound of Your Silence, 2009
    Carved Limewood
    200 x 140 x 120 cm
  • Maquette for Animals in War Memorial, 1999Maquette for Animals in War Memorial, 1999
    Wood and Epoxy
    75 x 75 x 75 cm
  • Das Meeresbegraebnis -Burial at Sea, 1981Das Meeresbegraebnis -Burial at Sea, 1981
    Bronze
    21 x 125 x 40 cm
    Edition 8
  • An old fashioned study for the Queen of the Night, 1995An old fashioned study for the Queen of the Night, 1995
    Charcoal and chalk
    150 x 100cm
  • Memorial to a Pilot II (study), 1982Memorial to a Pilot II (study), 1982
    Watercolour
    97 x 146 cm
  • WW1 Ghosts series no. I,  2006WW1 Ghosts series no. I, 2006
    Edition 150
  • WW1 Ghosts series no. II,  2006WW1 Ghosts series no. II, 2006
    Edition 150
 

Biography

Michael Sandle CV

Michael Sandle studied at Douglas School of Art and Technology, Isle of Man from 1951 to 1954 and the Slade School of Fine Art, London from 1956 to 1959. In his early work he emphasised craftsmanship and the search for symbols, rejecting the formalism increasingly common in sculpture of the period. Throughout the 1960s and ’70s he worked on a small range of individual works in which he explored abstract and figurative idioms.

Following his appointment as professor of sculpture at Pforzheim, Germany in 1973, and at Karlsruhe, Germany in 1980, Sandle’s work became more monumental, partly in response to a series of significant commemorative commissions. His work voices criticisms of what Sandle describes as ‘the heroic decadence’ of capitalism, in particular its appetite for global conflict. He has also attacked the media for packaging and sanitising the destructiveness of war. He was elected Fellow of the Royal Society of British Sculptors in 1994.

 

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